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The Metropol Parasol's undulating form is Jürgen Mayer H.'s most radical decision — not the scale, not the material, but the refusal to make it flat. Each cap rises and falls at a different height, the surface curving in multiple directions simultaneously, the profile in constant motion as you move beneath it. Shot from below and to the side, this frame makes that undulation fully legible: the lattice grid bending visibly as the surface curves across the frame, the ribs following the contour, the whole soffit warping away from any flat plane. In the lower right, the edge sweeps through in a single bold organic curve — no straight line, no abrupt termination — releasing the deep blue sky behind it. The building ends the way it begins: in motion.
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