The red has almost left the frame. What remains is orange and yellow — a warmer, more concentrated palette than the other views, as if the camera has settled on the sun-facing section of the facade at the moment the light is most direct. Nouvel's colors were always warm, but here they tip into something more intense: the orange panels catching the light full-on, the yellow sections holding their saturation, and even the dark window recesses carrying an amber cast from the reflected color surrounding them. Nothing in this frame is neutral. Even the shadows are warm. A wall of heat and color with nowhere to look away.
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