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Throughout Muralla Roja, the white vertical parapets forms appear and reappear at the junctions of the building's color zones — constants in a system of variables, markers that hold the planes apart wherever hues meet. Here, seen against the open sky, they have no junction to mediate: only three registers of blue arranged behind them. Powder blue wall on the left, deep cobalt sky above, midnight navy on the right — a tonal sequence from light to dark that frames the two white forms as cleanly as any gallery wall. Their charcoal shadow faces add a fourth tone. The building's most persistent elements, finally free of the passages and passages between them, reading only against the sky.
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