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Muralla Roja sits on a cliff above the Mediterranean at Calpe — but the building, turned inward on its labyrinth, does not make much of the view. The sea earns only a sliver here: a strip of turquoise at the top of the frame, pressing against the crimson of the rooftop walls below, almost an afterthought if it weren't so vivid. The red here is the building's most saturated tone — deep crimson in the shadowed passages, burning coral where the sun catches the wall tops — and against it, a spiky green plant grows from a terrace planter, its radiating form the only thing in the frame that acknowledges no geometry. The building closes in on itself. The plant and the sea, between them, insist on keeping a gap open.
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