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At Muralla Roja, wall and sky negotiate a boundary — usually a clean horizontal line where the flat top of a parapet meets the open air above it. This frame refuses that arrangement. The edge of a deep navy wall cuts diagonally across the upper right of the composition, its dark face claiming the right half of the frame while the bright Costa Blanca sky holds the upper left: two blues of the same hue at opposite ends of the value scale, divided by nothing but the wall's own edge. At the junction of all three planes — pink wall, navy wall, open sky — a pair of white chimney forms stand half lit, half in deep charcoal shadow. The architecture looks, for once, like it was composed rather than built.
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