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Muralla Roja is, in plan, a building of right angles — the passages turn at ninety degrees, the walls meet in precise corners, the color zones separated by clean vertical lines. This frame introduces a diagonal. A rose pink wall, its upper edge cutting across the lower left of the composition at an angle, disrupts the orthogonal: its surface catching the full Costa Blanca sun while everything around it holds its right-angled position. Above it, a navy rectangle. To the right, two coral walls with a near-black shadow slot between them. At center, a white parapet marking the junction. Five tones, five planes, one angle that shouldn't be there — and the image that results. Bofill built with geometry. The light recomposes it.
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