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Muralla Roja translates as Red Wall — and from this angle, looking up at the roofline against the Costa Blanca sky, the name earns its full weight. The towers rise in a stepped sequence, their sunlit faces a warm rose pink, their shadowed faces a deep burgundy that reads almost as crimson — the same wall rendered in two tones by the angle of the Mediterranean sun, the contrast creating a rhythm across the frame. Between the towers, two white chimney forms punctuate the skyline. Bofill drew on the ksour of North Africa — the fortified communal villages built against the desert and the sun — and from below, that precedent is fully visible: a walled settlement, a place of enclosure, a building that means to keep the world at a certain distance.
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