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By the time Leonard Horowitz finished applying his color system across Miami Beach's Art Deco district, the facades had become something close to color field paintings — flat planes of pastels and primaries separated by clean architectural lines. This facade brings nearly the full palette into a single composition: a teal background framing a grid of pink tiles, a coral-bordered window sitting exactly at the junction where the tile section meets a wall of deep blue. Each color was chosen in relation to the others — the teal setting off the pink, the coral bridging the two, the blue giving the whole arrangement somewhere to resolve. The window is the anchor: a domestic element at the center of what would otherwise be pure chromatic design. A person lives here. The palette continues.
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