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The medina's rampart walls are among its oldest structures, and at certain angles, in certain light, they are also its most modern-looking: vast planes of lime-plastered pisé, unadorned, the texture of compressed earth their only surface event. This frame finds one at its most reduced. A corner rises from lower left toward the center of the frame, the sunlit face catching the afternoon in warm salmon, the shadow face beside it deepening to near-black — two surfaces of the same wall rendered into two entirely different tones by the angle of the Moroccan sun. Above, the blue sky takes most of the frame: flat, clean, the color that has always been the terracotta's complement. Three tones. No ornament. The oldest architecture in the city, offering nothing but form.
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