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Two of Morocco's greatest craft traditions meet at this corner. Above, zellige: the geometric mosaic tilework made in Moroccan workshops since the 10th century, each tile individually hand-cut and fitted by master craftsmen into patterns whose underlying mathematics are as intricate as the surfaces they produce. The turquoise and white pattern here interlocks in a repeat so complex that only the corner — where two faces meet at ninety degrees — makes the geometry's full logic visible. Below, carved stucco, or gebs: plasterwork panels cut by hand into repeating arch and interlace forms, the terracotta brick of the underlying structure showing through the relief as a warm counterpoint to the cool tiles above. Neither system acknowledges the other directly. Together they make something that neither could alone.
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