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Lisbon is a city of layers — centuries of architecture compressed into hillsides where Pombaline, modernist, and contemporary buildings share the same streets. Here, a blue commercial sign bearing a partial name in white letters sits atop a white building, its color matching the sky behind it so precisely that the letters appear to float. Beside it, a pink stucco building catches the afternoon sun on one face and falls into shadow on another — the contrast between the two faces as stark as if they were different colors entirely. The blue of the sign, the blue of the sky, the white of the facade, and the blush of the building next door: Lisbon assembling a composition from its everyday materials, entirely without intending to.
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