A slender white blade crosses the frame on the diagonal, bolted at intervals like the spine of a ship — almost certainly a section of the elevated walkway that leads visitors toward the Palau de les Arts, the same bridge from which Calatrava's feather roof springs. Behind it, two trencadís-clad ribs curve away in parallel, their broken white ceramic catching the light in a fine, even grain. At upper left, the building's dark glass curtain wall asserts the only hard geometry in the frame, a grid pressed flat against the soft, arching concrete. The effect is less architectural drawing than abstract composition: line against curve, matte against gloss, white against near-black.
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