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Souto de Moura's twin towers end the same way they begin — with conviction. Shot at the apex, where both pyramids reach their sharpest point, the building sheds the last of its weight. What remains is almost diagrammatic: two terracotta angles pressing into sky, a composition so reduced it reads less like a photograph and more like a proof — that form, taken far enough, needs nothing else.
🖼️ Need help finding a gallery wall frame for your prints? We’ve put together a list of gallery wall frames available for each of our frame sizes.
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