The red face of Central Saint Giles is not one surface but two. The upper portion opens to glass — three bays of deep blue held in a red ceramic frame. The lower portion closes: horizontal louvers stacked in regular intervals, each casting a stepped shadow on the one below, building a dense pattern of red and dark within a field of red and light. Shot face-on, the division between the two systems is a clean horizontal line across the center of the frame. And at the very top, barely visible — a sliver of yellow, a reminder that the red is only one face of a building with more to say. The full story is never quite contained in a single frame.
🖼️ Need help finding a gallery wall frame for your prints? We’ve put together a list of gallery wall frames available for each of our frame sizes.
🚚 Curious about delivery times? Reference our worldwide delivery time blog post.